Skip to main content

barack obama writes about the waste land in a letter to his college girlfriend

The relevance of this quoted epistolary excerpt to the overall criticism (and meta-criticism) of The Waste Land is marginal at best, and the young future president doesn't mention Tiresias even once.
I include it here not just for the celebrity perspective but also to draw attention to his "particularly insightful comment" (as one Genius annotator describes it), which provides a tip toward the thin line Tiresias treads in the poem:
Facing what he perceives as a choice between ecstatic chaos and lifeless mechanistic order,
― Barack Obama – Analysis of "The Waste Land"
With these poles set, the substance of the poem jags from one end to the other, settling in neither camp. Tiresias represents th

Comments

Popular posts from this blog

objective correlative

The only way of expressing emotion in the form of art is by finding an “objective correlative”; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked. ― T.S. Eliot (Ft. J.W.Goethe, Mr. J. M. Robertson', Professor Stoll, Samuel Taylor Coleridge, Thomas Kyd & William Shakespeare) – Hamlet and His Problems How does  The Waste Land embody an objective correlate? Or, put another way, what set(s) of objects within the poem effect emotions from a reader? Half the intrigue of the work seems to stem from the ambiguity behind such an answer.

everybody reads the waste land

(Feat. Lia Williams, Ted Hughes, Thomas Stearns Eliot)